In recent years I find myself more and more listening to newer Japanese film music and Japanese composers. I found the music being distinct and direct, highly creative, playful and sometimes hauntingly beautiful. Always very enjoyable music. If you haven’t listened to composers like Naoki Sato, Kenji Kawai or Joe Hisaishi – now is the time!
I sometimes see comments about Naoki Sato sounding like the Remote Control/Media Ventures-sound. But this composer has so many nuances and styles in his musical repertoire, so much more to offer. Let’s look at some samples! Compare the orchestral and solo piano versions of “Sadame”. Or the soaring finale from Silver Season. The music ranges from powerful orchestral music, modern influences and choral passages to melancholy and beauty. For me, Naoki Sato seldom disappoints.
Here are some Naoki Sato samples (and I didn’t even include one of his best and most famous scores, Space Battleship Yamato):
- ”Goal” from Silver Season (soaring and triumphant)
- ”Sadame” from X (orchestral version) (powerful and beautiful anime music)
- ”Sadame” from X (solo piano version) (hauntingly beautiful)
- Rurouni Kenshin (amazing piece, a mix of styles, raw and cool yet both powerful and beautiful)
- Suite from Gaku (orchestral scope)
- Suite from Ryomaden (with vocals by Lisa Gerrard)
- The Last Princess (fantastic score!)
- Ballad (beautiful with Japanese influences)
- Lorelei (modern action)
Another piece of interesting music is “Seven Swords Victory” by Kenji Kawai. The music is constructed around a simplistic rhythmic pattern and melody, but highly addictive and enjoyable.
And, as the last sample for today, the main theme song from “Totoro” by Joe Hisaishi. I must give you a warning though, if you listen to the entire song, you won’t get it out of your head. Ever.
Thanks for listening, I hope you discovered some Japanese film music gems.